Department:Department of English and Media
Nina researches German Expressionist sculpture 1910-1935. She's also an expert on 19th-century visual narrative, particularly history and genre paintings, and on rural artists' colonies.
Nina is currently working on a research project on German Expressionist sculptors, in particular Gela Forster, Milly Steger, Renée Sintenis and Emy Roeder. She is also interested in visual narrative in nineteenth-century European, mainly academic, history and genre painting. Her work here draws on reception theory and narrative theory.
Nina's past research has focused on landscape and peasant painting in the context of nineteenth-century rural artists' colonies, with an emphasis on geographical and tourism studies. She's also passionate about Bollywood cinema.
Nina completed her education (primary to PhD) in Jakarta (Indonesia), Sydney (Australia), Heidelberg and Berlin (Germany), Berkeley (California, USA) and Leeds (England). After graduation, she taught at Leeds, Birkbeck College and the Open University before joining Anglia Ruskin University.
Before taking up her present role as Deputy Head of the Department of English and Media and Principal Lecturer in Film Studies, she was Senior Lecturer in Art History and Modern Visual Culture in Cambridge School of Art.
Nina warmly welcome research students in the areas of 19th-century art, narrative, German art and Indian cinema.
'Gela Forster's Expressionist Sculpture: Feminism, War and Revolution', Art History (special issue on 'Weimar's Other', ed. by Dorothy Price and Camilla Smith), April 2017.
'Women, War and Naked Men: German Women Sculptors and the Male Nude, 1915-1925', in Deborah Ascher Barnstone, Tom Haakenson and Barbara McCloskey (eds), Art and War, Peter Lang (series 'German Visual Culture', vol. 4), 2017.
Painting and Narrative in France, from Poussin to Gauguin, edited with Peter Cooke, Routledge / Ashgate, 2016.
'Eloquent Objects: Gérôme, Laurens and the art of inanimate narration', in Painting and Narrative in France (see above).
'Europäische Künstlerkolonien' ('European Artists' Colonies'), in Thomas Andratschke (ed.), Worpswede und die europäischen Künstlerkolonien, exh.cat. Landesmuseum Hannover, 2016.
Lübbren, N., 2010. The Objects of Genre. In: Baird, O. (Ed.). The Cranbrook Colony: Fresh Perspectives. Wolverhampton: Wolverhampton Art Gallery.
Lübbren, N., 2010. Crime, Time and Gérôme's Death of Caesar. In: Allan, S. (Ed.). Reconsidering Gérôme. Los Angeles: Getty Research Institute.
Lübbren, N., 2009. Narratives of Rural Life. In: McCullough, H. and Stott, A. (Eds.). Dutch Utopia. Savannah, Georgia: Telfair Museum of Art.
Lübbren, N., 2007. Breakfast at Monet's: Giverny in the Context of European Artists' Colonies. In: Bourguignon, K. (Ed.). Giverny: International Artist Colony. Giverny: Musée d'Art Américain, and Chicago: Terra Foundation for American Art.
Lübbren, N. and Crouch, D. (Eds.), 2003. Visual Culture and Tourism. London: Berg.
Lübbren, N., 2003. North and South: Paradigm Shifts in European Art and Tourism, 1880-1920. In: Lübbren, N. and Crouch, D. (Eds.). Visual Culture and Tourism. London: Berg.
Lübbren, N., 2002. Toilers of the Sea: Fisherfolk and the Geographies of Tourism in England, 1880-1900. In: Peters Corbett, D., Holt, Y. and Russell, F. (Eds.). The Geographies of Englishness: Landscape and the National Past 1880-1940. New Haven and London: Yale University Press.
Lübbren, N., 2001.Rural Artists' Colonies in Europe, 1870-1910. Manchester: Manchester University Press and New Brunswick: Rutgers University Press.