Film Studies
BA (Hons)
Intermediate award(s): CertHE, DipHEIn the most recent National Student Survey (2012), our BA (Hons) Film Studies course achieved scores of over 90% in every category, with 92% for 'overall student satisfaction'.
Alex Oliver
BA (Hons) Film Studies
“Coming to Anglia Ruskin for my studies is one of the best decisions I have made. I really enjoyed how Film Studies was the perfect combination of theory and practice. I got the opportunity to gain a deeper understanding of film as well as developing skills in filmmaking. I was given confidence by my lecturers to really start thinking about my film work seriously. The lecturers were very genuine and honest in their criticism.
I am lucky to now be freelancing full time as a video producer, camera operator and editor. My freelancing credits now include Arsenal TV, Cambridge City Council, The Junction, as well as others.
”
Course overview
Our BA (Hons) Film Studies offers a unique balance of theory and practice. You are introduced to a broad spectrum of approaches to moving image culture, but also encouraged to develop your own strengths and interests through specialist strands in film practice, film reviewing, film theory, and screenwriting. This distinctive approach provides you with a solid grounding in film history and theory, whilst encouraging creative and reflective development in practical work.Theory-based modules:
- Explore formal, historical, and cultural contexts of cinema and spectatorship.
- Provide a range of approaches to the moving image, from the close reading of individual films, to a broader consideration of film as an industry and as an art form.
- Look at a range of filmmaking that spans the history of cinema, takes in practices from across the world, and incorporates the avant-garde through to Hollywood blockbusters.
Practice-based modules:
- Provide an opportunity for you to engage with the language of cinema from the perspective of a practitioner.
- Enable you to make explorative, creative, and independent short films in video, animation, or 16 mm formats.
- Offer an ideal grounding in vocational aspects of film, including film reviewing, film journalism and screenwriting.
Two short films by students on our BA (Hons) Film Studies degree course.
Module guide
Year one core modules
Introduction to Film Studies
This introductory module provides an analytic and creative approach to the study of films and film practices, and introduces you to some of the key features of film language and theory. In addition to contemporary and classical Hollywood, you begin to study experimental practices and products, and films and film-making contexts from a range of cultures. The medium of film is acknowledged as a distinctive language, art form and industry which has developed dramatically since its novelty beginnings in 1895. The use of film as ideological tool is investigated via consideration of the way in which films shape our beliefs and influence our behaviour through conforming with, (re)shaping or challenging the dominant. Via lectures, seminars and screenings, you learn to identify and debate the relative merits of different films and begin to develop the skills of critical judgement that are crucial to the subject. Visits to cinema venues and film festivals allow for first-hand experience of issues faced by the film industry, while seminar activities such as shot analyses and oral presentations encourage an appreciation of the links between conceptual and practical approaches.
Introduction to Video
History of Cinema
Film Reviewing
The module provides an introduction to film reviewing. You begin by exploring the nature and purpose of reviewing films, and then work through the various steps of the reviewing process. The module equips you to write original reviews for a variety of different readerships. Seminars are structured around exercises designed to illustrate - with the aid of carefully selected examples - review philosophies; planning and structuring of reviews; tailoring the review according to a brief and/or a particular audience; keeping film diaries; and developing a personal writing style. Seminars also help you understand how to respond critically to films by exploring aspects of genre, dramatic structure, performance and the technical background of film production, with examples from mainstream, independent and foreign language films. These explorations are reinforced by formative assignments, leading to the creation of a portfolio of reviews in a variety of styles and for a range of readerships.
Film and Genre
This module gives you the opportunity to study mainstream cinema by close study of the key features and development of genres of films such as the Western, Sci-Fi, Melodrama, Gangster and Horror. You are first introduced to the key characteristics of the genre system. This is followed by critical study of a range of classic and newly emerging genres. An address is made to the cultural diversity of the genre system with consideration, for example, of French Film Noir, Italian horror, Hong Kong martial arts, and Mexican melodrama. The module takes a critical approach to popular cinema and acknowledges the central role of formula, convention and reinvention in maintaining Hollywood's leading position in the film industry. It acknowledges the importance of genre in terms of developing audience expectation examine a variety of critical attitudes to genre, from attacks on the standardisation of the moving image as debasement of art cinema, to studies that investigate the complex ways in which popular cinema reinvents itself through absorption of a range of experimental and national cinema cultures. Attention is paid to the role of the genre 'system' as an intrinsic part of the cinematic institution, and to its value as primary commodity of the Hollywood system in particular in terms of the economies of repetition and reinforcement.
Introduction to Screenwriting
This module provides an introduction to the basic principles of screenwriting. You are guided through the various stages of developing and writing an original five-minute screenplay, and encouraged to find and explore your own creative voice in a supportive environment. You will develop skills such as: visualisation of action and character; translation of ideas into energetic writing; experimentation with metaphor and allusion; determining the appropriate characterisation and narrative structure for different genres; writing concise and effective dialogue. You are encouraged to create original stories and characters that deal with themes and issues that are meaningful to you. You are encouraged to consider the target audience for your film, and the form you envisage your screenplay would take on screen.
Year two core modules
- 16 mm Film-making
- Cinema and Sound
- Documentary Film Theory
- Independent Cinema: US and Beyond
- Theorizing Spectatorship / Classical Hollywood Cinema
Year three core modules
- Film, Modernity and Postmodernity
- Major Project
- Multiplexed: Contemporary Popular Cinema
Year one optional modules
- Anglia Language Programme
Year two optional modules
- Anglia Language Programme
- Animation
- European Cinema and Identity
- Introduction to European Cinema
- Screenwriting: Script to Screen
- Screenwriting: The Feature Film
- Non-Fiction Filmmaking
Year three optional modules
- Anglia Language Programme
- Avant-garde Film and Experimental Video
- Independent Film Practice
- Film Art
- Film Journalism
- Screenwriting: Adaptation
- Working in Film
- Independent Learning Module
Assessment
You will be assessed by:- critical essays
- oral presentations
- film reviews
- evaluation reports
- portfolios of creative work (e.g. film scripts or short videos)
You will also give critical evaluations of your creative work and present and defend your work in 'crits'. Each year you will prepare a Personal Development Portfolio; this includes a CV and a personal statement that encourages reflection on progress to date and the achievement of transferable skills and extracurricular activities that will help when seeking employment.
Catherine Rayson
Film and Media Studies
“I took part in the exchange programme offered by Anglia Ruskin and had a semester studying at Marshall University in West Virginia, USA. I loved everything about my time there; especially the encouragement and time teachers and fellow students offered me. I dove into campus life and joined the television production 'Up Late' and did a weekly radio show. I also took a news writing class to improve my writing skills and completed my semester with straight As and a place on the Deans' list.”
Facilities
Film Studies is committed to giving you the broadest possible experience in working with the moving image, and our students have access to a range of specialist equipment. Our strength is a mixture of analogue technologies and the latest cutting edge digital editing suites and cameras. We currently offer Super 8 Nizo cameras, 16mm Bolex film cameras, as well as a number of rostrums for traditional animation. Digital facilities include Panasonic and JVC HD cameras and we use Macintosh computers and Final Cut Pro software for editing and post-production, all allowing you to develop skills to industry standards.Libraries
Our campus libraries offer a wide range of publications and a variety of study facilities, including open-access computers, areas for quiet or group study and bookable rooms. We also have an extensive Digital Library providing on and off-site access to e-books, e-journals and databases.
We endeavour to make our libraries as accessible as possible for all our students. During Semester time, they open 24 hours a day from Monday to Thursday, until midnight on Friday and Saturday and for 12 hours on Sunday.
IT Resources
Our open access computer facilities provide free access to the internet, email, messaging services and the full Microsoft Office suite. A high speed wireless service is also available in all key areas on campus. If you are away from campus or a distant learner, our student desktop and its many applications can be accessed remotely using the internet. Your personal student email account provides free document storage, calendar facilities and social networking opportunities.
Throughout your studies you will have access to our Virtual Learning Environment (VLE), providing course notes, reading materials and multi-media content to support your learning, while our e-vision system gives you instant access to your academic record and your timetable.
Our other technical facilities include:
- Film and television studios
- HD cameras and 16mm film cameras
- Final Cut Pro editing suites
- Steenbecks for 16mm editing
- Animation rostrum cameras
- Multimedia studios
- Screening theatres
Guest speaker events, festivals, field trips and production projects are regularly organized by students and staff. Recent guest lecturers and visiting filmmakers include: Terrence Davies, Peter Gidal, Malcolm Le Grice, Henry K. Miller, Jane Parker, Lucy Reynolds, Joćo Moreira Salles, Steven Shaviro, Guy Sherwin and Catherine Wheatley.
We regularly host special events in addition to our guest speaker and filmmaker series. In 2011, Film Studies hosted the event 'Professor Vanessa's Performing Wonders', a collaboration between the British Library and the National Fairground Archives at the University of Sheffield. This event included screenings of rare early films with live musical accompaniment by Stephen Horne, together with performances by world-renowned cabaret and neo-variety artists whose work is inspired by early cinema. Film studies also recently played host to filmmaker Guy Sherwin, who performed a rare live re-enactment of his film 'Man with Mirror'.
Study abroad options
The Film & Media Studies Programme has successful exchange agreements with Marshall University, Huntington, West Virginia, USA; and Universitą Roma Tre, Italy. You may apply to spend one semester in either Years 2 or 3 studying abroad.Special features
Film studies is a key partner of the Cambridgeshire Film Consortium. You will have access to the Cambridge hub of the BFI Mediatheque and the BFI National Library in London.Course Leader
Dr Tina KendallEd Frost
BA (Hons) Film Studies 2012
“One of the advantages of studying Film at Anglia Ruskin University is benefitting from the industry expertise of the tutors on the course. Alongside their continued support throughout your studies, they are great at inspiring students to partake in extra-curricular activities and placements to help boost your CV, something that has given me great confidence as the course has progressed. As well as arranging a three-week internship at Optimum Releasing (now Studiocanal) in the summer between years two and three, I was also put forward for a two week stint working at Sight & Sound magazine, something of a dream come true for me personally.
”
Links with industry and professional recognition
BA (Hons) Film Studies is a key partner of the Cambridgeshire Film Consortium. You will have the opportunity to screen your work at the Cambridge Arts Picturehouse, and the best student films are shown each September in the context of the Cambridge International Film Festival. Selected lectures and screenings are also held at the Arts Picturehouse as part of the taught curriculum in Film Studies.Work placements
Film Studies has a proven track record with work placements and internships. Through partnerships with regional and national organisations and partners, our students are given an excellent grounding to pursue careers in a wide range of roles within the film and creative industries.Recent student work placements and internships include:
- BBC
- Cambridge Arts Picturehouse
- Cambridge Film Festival
- Cambridge Festival of Ideas
- Cambridge Union Society
- Cambridge United Football Association
- Cannes Film Festival
- CBBC
- ITN
- London Studios
- LUX
- MTV
- New York Film Academy
- No.w.here
- Optimum Releasing
- Red TV
- Sight & Sound
- Zenith Productions
The Film Studies degree has recently established a partnership with Cambridge United Football Club. With the supervision of industry professionals, this link provides our students with the opportunity to produce weekly video content for the club's online subscription service.
Commission Work and Volunteer Opportunities
In addition to these work placements, our students undertake commission work and gain valuable experience in the film and creative industries through internships and a wealth of volunteering opportunities, including a range of opportunities in the context of the Cambridge Film Festival. Recently, several of our students were given the opportunity to work on the feature film Dimensions, written and Produced by Ant Neely (Musings of Hubbub; Sprookjesboom; Nowhere; The London Debate; The Last Time I Had Sex), and Directed and Produced by Sloane U'Ren (Batman Begins; The Good Shepherd; Being John Malkovich; Mission: Impossible II; Six Feet Under).More details about the range of work experience, commission, and volunteer opportunities in Film Studies can be found on the Department?s webpages.
Associated careers
Our students have gone on to careers and higher education in:- film and video production
- film criticism
- cinema and film festival management
- film education
- broadcasting
- public relations
- Masters degrees
- PGCEs (teaching qualifications)
| UCAS Tariff points: | 220 - 260 |
We welcome applications from International and EU students. Please select one of the links below for English language and country-specific entry requirement information.
How to apply
UCAS code
P303Location
Duration
3 YearsAvailable starts
SeptemberStudent finance
Open Day
Saturday 22 JuneUndergraduate Open Day
Advice & support
EmployabilityFaculty
Arts, Law & Social SciencesDepartment
English, Communication, Film and MediaContact us
UK and EU applicants:- Call 01245 686868
- Complete enquiry form
- Call +44 (0)1245 493131 ext 2609
- Complete enquiry form
Facebook
Delicious
Digg
reddit
StumbleUpon