Affiliated staff

Dr Gianna Bouchard, Music and Performing Arts

Experimental theatre
Live art
Medico-scientific practice and discourse and performance Interdisciplinary arts practice

Beverley Carpenter, PhD Student, English, Communication, Film and Media

Moving image and public space
Artistic methods in city spaces
Urban screens

Dr Silvia Cirstea, Computing and Technology

Image and video processing
Machine vision and listening

Laura Dietz, English, Communication, Film & Media

Online literary culture
Legitimacy in post-print publishing

Dr Sergio Fava, Cambridge School of Art

Climate change modelling and policy
Visual arts and social change
Interdisciplinary research methods

Judy Forshaw, English, Communication Film and Media.

Contemporary Crime Fiction
Writer's Digital Ephemera
Screen Adaptation

Sarah Gibson Yates, Filmmaker and Lecturer, (English, Communication, Film and Media)

Digital Film Theory and Practice
Narrative and The Self within Digital Culture

Professor Eugene Giddens, ALSS Director of Research

Digital humanities
History of the book
Scholarly editing

Mick Gowar, Cambridge School of Art

Story-telling
Twentieth-century and contemporary poetry
The future of book creation, illustration, writing, design, production and distribution
Encouraging children's story making and sharing by means of narrative environments and open source software tools

Dr Tom Hall, Music and Performing Arts

Software and hardware tools for musical composition, performance, analysis and collaboration
Site-specific and radiophonic sound art
Multi-channel and binaural immersive audio

Steven Harris, Computing & Technology

Music Information Variation as a Game Design Mechanic
Procedural game content generation
Application of game design techniques in serious games

Will Hill, Cambridge School of Art

Experimental typographics
Test-image collaborations
Typographic histories

Dr Richard Hoadley, Music and Performing Arts

Musical composition
Algorithmic and generative processes in music and intermedia
Physical computing, performance and the human/computer interface

Dr Wendy Moody, Cambridge School of Art

Multi-disciplinary collaboration between fashion, art, science and technology
Fashion: Conceptual Fashion Design, Fashion Illustration, Fashion Retail
Psychology Buyer/Wearer Behaviour (emotion/mood, memory, personality, self, the body)
Neuroscience (emotion/mood, memory, imagination, self, the body [perception/awareness])

Dr Tristan Moyle, Philosophy

Ontology of the 'virtual' (cutting across analytic metaphysics and themes in Deleuze)
Philosophical Anthropology

Andrew Nightingale, PhD student Creative Writing (poetry), English, Communication, Film & Media

Turing, the Turing test and artificial intelligence
Hypertextuality
Oulipo

Dr Douglas Nunn, Computing and Technology

Audio analysis and synthesis
Live video performance
Gestural controllers

Shreepali Patel, Cambridge School of Art

Story telling (audio and/or film)
Documentary and drama production

Dr Simon Payne, English, Communication, Film and Media

Experimental Film and Video
Digital Media and Materiality
Colour Fields and Contemporary Abstraction

Claire Preston, doctoral student, Faculty of Health and Social Care

Online public participation in policymaking
Democratic citizenship in the digital age
Democracy, political equality, the welfare state

Leonie Ramondt, Inspire - Learning Development Services

Handheld learning, serious games
Multi-user Virtual Environments / 3D worlds
Social networking / online learning communities
The iPad for empowering elders

Tim Reynolds, Computing and Technology

ICT for international development (ICT4D)
Common description frameworks (XML & UDDi) for e-trading e-govt etc to facilitate global enterprise exchange and automated discovery
Building management systems (BMS) & smartgrid applications to facilitate environmental sustainability and facilitate the virtual office
Semantic web accessibly Networks (SWANS)
Applications of MPEG4 in particular scene reconstruction for repurposing video content streams for e-learning and Virtual Learning in the workplace
Project Management Discovery Indices (PMDI)
Network security ISO 27001 & remote QA compliance

Dr Tim Rowsell, Computing & Technology

Dynamics of virtualisation
Defining security
Accessibility, reusability and media management Methods for automatic map making Location aware computing on mobile devices

Dr Paul Rhys, Music and Performing Arts

Software for composition, sound synthesis and performance
Aesthetics of Computer Music

David Ryan, Cambridge School of Art

Image and sound relationships in digital film and performance
Relationship between 'new' and 'old' media
Ideas of interdisciplinarity and 'composition' generating new forms or re-inventing old ones (digital opera for example)