The People
Dr Joss Hands
Director
Dr Joss Hands' research focuses broadly on the intersection between digital technology, politics and culture. He teaches courses in communication and technology, public sphere theory, globalization, digital culture and the political economy of the media at Anglia Ruskin University. He holds a PhD in critical theory from the Manchester Metropolitan University.
His published work has explored the interrelations of new media and democracy in the context of globalisation, in terms of both formal governance as well as activism and protest movements. This has included an address to the role of new media in contributing to the emergence of a specifically 'European' public sphere, with all the issues of identity, language and mediation entailed. He has also written on local democracy and online deliberation, and on new forms of political action emerging in the network society, which includes an engagement with a range of contemporary political and critical theory.
He has written for a range of journals such as "Information, Communication and Society," "Philosophy and Social Criticism," "Cultural Politics" and "First Monday," and co-edited the book "At the Interface: Continuity and Transformation in Culture and Politics" (Rodopi, 2004) with Eugenia Siapera.
Joss has recently published a book on digital activism, '@ is for Activism: Dissent, Resistance and Rebellion in a Digital Culture', published by Pluto Press, in which he develops many of these themes, and expands his analysis to include the impact of technologies such as mobile telephony and digital television on digital culture and politics.
Website: www.josshands.net
Dr Joss Hands' research focuses broadly on the intersection between digital technology, politics and culture. He teaches courses in communication and technology, public sphere theory, globalization, digital culture and the political economy of the media at Anglia Ruskin University. He holds a PhD in critical theory from the Manchester Metropolitan University.
His published work has explored the interrelations of new media and democracy in the context of globalisation, in terms of both formal governance as well as activism and protest movements. This has included an address to the role of new media in contributing to the emergence of a specifically 'European' public sphere, with all the issues of identity, language and mediation entailed. He has also written on local democracy and online deliberation, and on new forms of political action emerging in the network society, which includes an engagement with a range of contemporary political and critical theory.
He has written for a range of journals such as "Information, Communication and Society," "Philosophy and Social Criticism," "Cultural Politics" and "First Monday," and co-edited the book "At the Interface: Continuity and Transformation in Culture and Politics" (Rodopi, 2004) with Eugenia Siapera.
Joss has recently published a book on digital activism, '@ is for Activism: Dissent, Resistance and Rebellion in a Digital Culture', published by Pluto Press, in which he develops many of these themes, and expands his analysis to include the impact of technologies such as mobile telephony and digital television on digital culture and politics.
Website: www.josshands.net
Dr Sean Campbell
Co-DirectorSean's research interests are in the areas of popular culture, Irish studies and migration/ethnicity. His most recent book is 'Irish Blood, English Heart': Second-Generation Irish Musicians in England (Cork University Press, 2011). He has also co-edited (with Colin Coulter) a collection of essays on The Smiths for Manchester University Press (2010), and is co-author (with Gerry Smyth) of Beautiful Day: Forty Years of Irish Rock (Cork University Press, 2005). He has published numerous articles on ethnicity, popular music, and cultural studies, and has presented work at conferences in the United States, Europe and Australia. He has been an invited speaker at universities in Britain and Europe. Sean is also co-editor (with Dave Laing and Noel McLaughlin) of a special issue of Popular Music History, due for publication in 2013.
Sean is on the editorial board of the Journal of International and Intercultural Communication, and is a member of the AHRC Peer Review College. He is a reader for Sage and Irish Academic Press, and referees articles for Popular Music, Irish Studies Review and IASPM@Journal. He has appeared on Channel 4 News, the BBC World Service, RTÉ, Radio Ulster, DW-TV (Germany), CBC TV and Radio (Canada), and ABC Radio (Australia). His work has appeared in the Irish Times, and he has been cited in The Times, the Independent, the Times Higher, the Sunday Times, the New Musical Express, and Uncut. He is currently Series Advisor on a forthcoming documentary series for Irish television, and he has been a consultant for ProQuest. He has also chaired public events at the Cambridge Festival of Ideas.
Affiliated scholars within Anglia Ruskin University
Dr Gianna Bouchard, Music & Performing Arts
- Performance and technology
- Cyber theory and post-human identity
- Bioart
Karin Brunby, (Doctoral Student), English, Communication, Film and Media
- Ethnic minorities online
- Political engagement online
- Internet based research methods
Beverley Carpenter, PhD Student, ECFM
- moving image and public space
- artistic methods in city spaces
- urban screens
Sarah Gibson Yates, Filmmaker, Lecturer in Communication, Film and Media
- Digital Film Theory and Practice
- Narrative and The Self within Digital Culture
Dr Mick Gowar, Cambridge School of Art
- Story-telling
- Twentieth-century and contemporary poetry
- The future of book creation, illustration, writing, design, production and distribution
- Encouraging children's story making and sharing by means of narrative environments and open source software tools
Dr Tom Hall, Music and Performing Arts
- software and hardware tools for musical composition, performance, analysis and collaboration
- site-specific and radiophonic sound art
- multi-channel and binaural immersive audio
Dr Richard Hoadley, Music and Performing Arts
- Musical composition
- Algorithmic and generative processes in music and intermedia
- Physical computing, performance and the human/computer interface
Dr Tina Kendall, Film, Communication & Media
- The 'new extremism' in contemporary cinema
- 'Attention economy' and contemporary cinema
- Theories of affect, visceral spectatorship, and unpleasure
- 'New materialist' approaches to film
Timothy Kobin, Cambridge School of Art
- Relationship between design, digital media, previsualisation and storytelling
- Production and costume design for Film, Television and Theatre
- Architectural lighting design interiors and exteriors
Dr Patricia MacCormack, English, Communication, Film and Media
- Posthuman theory, Animality and 'devolutionary humanity'
- Film Theory; Cinesexuality and Schizoanalytics
- Science Fiction; Becomings
Dr Simon Payne, English, Communication, Film and Media
- Experimental Film and Video
- Digital Media and Materiality
- Colour Fields and Contemporary Abstraction
Claire Preston, (Doctoral student), Health and Social Care
- Online public participation in policymaking
- Democratic citizenship in the digital age
- Democracy, political equality, the welfare state
Dr Paul Rhys, Music and Performing Arts
- Software for composition, sound synthesis and performance
- Aesthetics of Computer Music
Dr Milla Tiainen, English, Communication, Film and Media
- Voice and sound in digital culture
- Digital performance, and art and politics in network culture
- Non-representational media theory
Christine Webster, Cambridge School of Art
- The Digital Interface and Desire
- Constructed Online Identity
- Teenage Social Interface Networks
The ARCMedia international advisory board consists of some of the most exciting and innovative scholars working in the field.
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