Patricia MacCormack's recent monograph 'Cinesexuality' (published by Ashgate in 2008) explores the queerness of cinema spectatorship.

Through a variety of cinematic examples, including abstract film, extreme films and films which offer examples of perverse sexuality and corporeal reconfiguration, 'Cinesexuality' encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches.

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