Duncan Ganley's research activity

Solo Exhibitions

(In planning) Meeting Muybridge (working title), Stanley Picker Gallery, London, UK.

2007 midnight, mid-Atlantic..., Inman Gallery, Houston, USA.

2004 Location Shots, Inman Gallery, Houston, USA.

2002 Millennium Panic, Firestation 3, Houston, USA.

2002 Duncan Ganley - Endless Filmset 2, Plains Art Museum, Fargo, USA.

1999 Opening Shots/End Titles, Cornerhouse, Manchester, UK.

1997 Closing Credits, Collective Gallery, Edinburgh, UK.

1996 Shots in the Dark, Villa Waldberta, Munich, Germany.

1996 Shadow of a Doubt, Atkinson Gallery, Liverpool UK.

Selected Group Exhibitions

(In planning) Unphotographable, Las Cienegas Projects, Los Angeles, USA.

2011 Second Nature, Museum of Fine Arts, Houston, USA.

2009 I Am Not So Different, Art Palace, Austin, USA.

2008 Learning by Doing, Museum of Fine Arts, Houston, USA.

2008 Inman Gallery at PULSE, PULSE-New York, New York, USA.

2007 Photo Forum, Museum of Fine Arts, Houston, USA.

2006 Impossible Exchange, Lawndale Artcenter, Houston, USA.

2005 A Thousand Words, Inman Gallery, Houston, USA.

2005 Inman Gallery at ART:LA, Art:LA, Los Angeles, USA.

2004 Character Studies, UTSA Gallery, San Antonio, USA.

2004 Faculty Exhibition, Glassell School of Art, Houston, USA.

2003 Siting Sculpture, Dallas Center for Contemporary Art, Dallas, USA.

2003 Projections: Allegories of Cinema, Blanton Museum of Art, Austin, USA.

2002 False Emotion, Kunstbunker Tumulka, Munich, Germany.

2002 Texas Photographers, Blue Star Art Space, San Antonio, USA.

2002 Real Time, Arthouse, Austin, USA.

2002 Tech Support, Inman Gallery, Houston, USA.

2001 Duncan Ganley / Gesine Braun, Maxwell Freeman, Houston, USA.

2001 Core 2001, Glassell School of Art, Houston, USA.

2000 Videoshop, Vogue Video, Edinburgh, UK.

2000 Docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds, UK.

2000 Site/work/s, Chenevert Green Warehouse Space, Houston, USA.

2000 Core 2000, Glassell School of Art, Houston, USA.

1998 Browsing 2, Changing Room, Stirling, UK.

1998 Humour, Artsway, New Forest, UK.

1998 EAST International 98, Norwich Gallery, Norwich, UK.

1998 Family Credit, Collective Gallery, Edinburgh, UK.

Journal articles and chapters in books

2011 'Duncan Ganley - Location Shots', Gulf Coast, Vol 24, Issue 1, Winter/Spring 2012. (University of Houston, Houston, USA)

2008 Havel, Joseph et al (ed): 'Core: Artists and Critics in Residence', pub May 2008. (Museum of Fine Arts Houston, Houston, USA) ISBN: 978-0-89090-162-5

Newspaper and periodical pieces in the non-academic press

Watson, Kate: 'I Am Not So Different at Art Palace', glasstire.com, July 2009.

Baldwin, Fred et al (ed): 'Fotofest Fine Print Auction', exhibition catalogue, Mar 2008

French, Christopher: 'midnight, mid-Atlantic', Art Papers, May 2007.

Kersulis, Nicholas: 'Duncan Ganley - midnight, mid-Atlantic', Artlies 54, June 2007.

Britt, Douglas: 'Perfectly Preposterous', Houston Chronicle, Apr 2007.

French, Christopher: 'Impossible Exchange', glasstire.com, Oct 2006.

West, Christine Jelson: 'Location Shots, Double Exposure', ArtsHouston, Apr 2004.

French, Christopher: 'In From the Edge-Media Art Houston', ArtsHouston, Apr 2004.

Devine, John: 'Glassell Faculty Exhibition', ArtsHouston, Nov 2004.

Havel, Joseph et al (ed): 'Faculty Exhibition', exhibition catalogue, Sept 2004. (MFAH, Houston)

Heinkel-Wolfe, Peggy: 'Siting Sculpture', Artlies 41, Winter 2003-04.

Lecleré, Mary: 'The Arte-facts and -fictions of Duncan Ganley's Archive', Artlies 39, Winter 2002-03.

Klassmeyer, Kelly: 'Reel Life', Houston Press, Dec 2002.

Hoffman, Justin: 'Wrong Feelings, Genuine Art', Suddeutsche Zeitung, Nov 2002.

Ballou, Chris (ed): 'Millennium Panic', exhibition catalogue, Nov 2002.

Van Ryzin, Jeanne Claire: 'The Framing of a fictional film in 'Real Time'', Austin American Statesman, May 2002.

Dumbadze, Alexander: 'Real Time', exhibition catalogue, April 2002.

Marie, Annike: 'Tech Support', exhibition catalogue, March 2002.

Thompson, Jonathan: 'The Film you have just missed', Kalamazoo Index, Feb 2002.

Anspon, Catherine: 'Core 2001', citysearch, April 2001.

Davenport, Bill: 'Core 2001', glasstire.com, April 2001.

Havel, Joe et al (ed): 'Core 2001', exhibition catalogue, March 2001.

Colpitt, Frances: 'Space city takes off', Art in America, Oct 2000.

Klassmeyer, Kelly: 'Young at Art', Houston Press, April 2000.

Havel, Joseph et al (ed): 'Core 2000', exhibition catalogue, March 2000.

Neil, Ken: 'Closing Credits', exhibition catalogue, March 1999.

Vincent, Martin: 'Opening Shots/End Titles', City Life, March 1999.

Dingwall, Harvey: 'Movie Mogul', Red Herring, Dec 1998.

Pennington, Sarah (ed): 'Humour', exhibition catalogue, 1998.

Judd, Ben: 'EAST International 98', Art Monthly, Sept 1998.

Mahoney, Elizabeth: 'Family Credit', Art Monthly, Sept 1998.

Feaver, William: 'Browne Study', The Observer, July 1998.

Morris, Linda et al (ed): 'EAST 98', exhibition catalogue, July 1998.

Work in collections

Museum of Fine Arts, Houston, Houston, USA.

Deutsche Bank, USA.

Minute Maid Corporate Collection, USA.

Private Collections.

Awards

2006 Faculty Travel Grant, Glassell School of Art, Houston, USA.

2001 Eliza Randall Prize, The Core Program, Museum of Fine Arts, Houston, USA.

2000 Eliza Randall Prize, The Core Program, Museum of Fine Arts, Houston, USA.

1999 Artist Award, Scottish Arts Council, UK.

1999 Research Grant, Edinburgh College of Art, Edinburgh, UK.

1995 Artist Grant, Edinburgh District Arts Council, Edinburgh, UK.

1994 Artist Award, Bancroft Clark Trust, Somerset, UK.

1993 Watt Club Medal, Heriot-Watt University, Edinburgh, UK.



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