Department:Cambridge School of Art
Areas of Expertise: Graphic design and typography
Courses taught: Graphic Design
Jon is a graphic designer who specialises in type design. His practice-based research explores the empty spaces in typographic evolution, in order to develop new letterforms and speculative founts that further our understanding of display and ornamented types.
Graduating from art school in 1984, Jon furthered his professional training in industry as an advertising art director and designer, working on major brands for clients including Tesco, Lotus Cars, Manchester United, Mirror Group Newspapers, Purdey Shotguns, UEA, Coventry University, Anglia Television.
Throughout his career, Jon has worked alongside or in collaboration with some of the more influential design groups of the 80's and 90s, such as Trickett and Webb, Negas+Negas, and Robinson Lambie-Nairn.
Although specialising in graphic design Jon has, over the years, worked on a diverse range of design projects that also includes furniture, interior and architectural feature design. He headed his own design practice working for regional and London-based clients, and was appointed as a visiting lecturer at the Cambridge School of Art in 1996, before accepting his current post as Course Leader for BA (Hons) Graphic Design. Jon continues to contribute to the School's profile for typographic research, and leads a course with an ongoing reputation for high student satisfaction and excellence in commercial design practice.
Jon completed his Masters degree in Typographic Design in 2007, being awarded distinction for his postgraduate research into the categorising and contextualising of display and ornamented types of the 19th century. His typographic time travelling is particularly concerned with the late 18th and early 19th century periods and the Victorian age of exuberance in design tastes and mannerisms.
Through investigative practice he has generated a number of typefaces that explore the potential of historically inspired letterforms in contemporary contexts. Often this work seeks to revive traditional good practice in typography. Jon's font generation and historical research leads him to speak at conferences nationally, with papers published in industry magazines and journals.
At the moment, Jon is engaged in research that explores the origins of Christian glyphs and early gothic symbolism, while working on his latest font – inspired by the 17th-century cartographer and publisher John Ogilby.
Melton, J., 2015. ‘A Man of Letters’ – Soane’s Typographic Vocabulary. Beauty of Letters Conference, 14-15 March 2015, University of Birmingham, Birmingham.
Melton, J., 2014. The Typographic Traveller. Landmarks in Printing Conference, 13-14 November 2014, Printing Historical Society, St Bride Library, St Bride Foundation Institute, London.
Melton, J. (exhibitor), 2012. Classic Soane. Type specimen. Types for the New Century Exhibition Hill, W. (Curator), The Worshipful Company of Stationers and Newspaper Makers, London, May 2012; travelling (2012-13) to: University of the West of England, Bristol; Northumbria University Newcastle; Birmingham Institute of Art and Design, Birmingham City University; Bauhaus University Wiemar; Museum for Druck-Kunst, Leipzig.
Melton, J., 2011. Sir John Soane: a Classical Architype. Ultrabold, 9, pp.4-10. St Bride Library, St Bride Foundation Institute, London.
Melton, J., 2010. Soane - a Classical Architype. Paper, DIY Design Conference, St Bride’s Library, St Bride Foundation Institute, London.
Typeface fonts used in publication
Arthur, B., 2011. How Britain Won the War of 1812. Empire Initials Font, front and back cover design Loxley, S. Boydell Press, Boydell & Brewer, Woodbridge, Suffolk.
Canning, H., 2010. Russian Baritone Dmitri Hvorostovsky. BBC Music magazine, June issue, Russian Revolt Font, front cover and pp.30-35.
Hill, W., 2010. The Complete Typographer. Empire Initials specimen picture, pp.95. London: Thames and Hudson.